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Archive for the ‘Product Review’ Category

SX-70 | Polaroid is back

Monday, August 9th, 2010

I found this over on Rob Haggart’s blog. If you are unfamiliar with Rob, his blog A Photo Editor is a great read.

The Impossible Project set out to bring back the famed SX-70 and other Polaroid films that are now discontinued. For the serious Polaroider it probably falls short but for great fun give it a shot.

Personally, when it comes to Film Effects, even Polaroid, I am all about Alien Skin Exposure 3. Here are is the original RAW shot with no processing and then  SX-70 and Time Zero Versions.

RAW File:

SX-70:

Time Zero:

SX-70

Adobe Photoshop CS5 Sneak Peek

Thursday, March 25th, 2010

Adobe’s new content-aware fill will blow your mind. Every photographer and designer is drooling!

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Paris in 26 Gigapixels with the new GigaPan Epic Pro!

Tuesday, March 16th, 2010

That’s right now for just $895 you too can have a a robotic tripod head that digitally monitors your panoramic shots. Check out the 360 degree view of Paris in stunning resolution! You really need to see this. You can zoom into something miles away and see it at %100!

PARIS in 26 Gigapixels!

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GigaPan Systems will release a robotic camera accessory that’s best aligned with its market of panorama enthusiasts: those who use digital SLRs.

The earlier GigaPan products, the $350 Epic and $450 Epic 100, were for compact cameras. The new GigaPan Epic Pro will accommodate larger SLR cameras, the company said Monday. It’s due to ship in April for $895.

GigaPan’s devices are motorized camera mounts that automate the process of precisely orientating the camera across an array of positions so the resulting photos can be stitched together into a single, very large shot. A good example of the idea is 26-gigapixel view of Paris, one of a new breed of immersive views of the world.

Compact cameras are fine for a lot of uses, but the kind of people who have the patience and interest in stitching dozens of images together often already have higher-end SLR cameras, which produce higher-quality and often higher-resolution photos.

The Epic Pro has a number of features designed to ease the panorama chore. Up to 20 shots at each position can be taken for purposes of bracketing exposures or coping with transient subjects in the photo frame. It’s got a rechargeable battery back. It has a built-in bubble level. And it includes stitching software to link images into a single panorama.

Q&A

Wednesday, February 24th, 2010

This one from Luke in San Luis Obispo:

Question:
Hey Ryan. Thanks for taking the time to spread your knowledge, it is very appreciated. You have shot both the 1D III and the 5d MII; which do you think is better for the wedding/portrait shooter; I’m wondering about color accuracy, focusing speed (especially low-light), high ISO performance, customization/usability both in regards to how the camera is laid out, and the custom functions it provides, and any other factors you think are important. Also, while I have your attention, are you planning on incorporating video capture into your wedding repertoire? Thanks again, Ryan.

Answer:
Your welcome Luke, anytime ;-)

Everyone will have their opinion on the camera question but I personally feel that the 5D MII is a better camera for portrait and wedding shooters. Camera layout is subjective. I personally like the lighter smaller feel of the 5D and since I shoot with 2 cameras at all times. It is less overall weight on my body. I don’t use the vertical grips either. Using two batteries plus the grip itself just adds weight. If you shoot sports or are in the studio a lot, you might really like/need the vertical grip due to speed and the vertical shutter button. The 5D Mark II is one of the most flawless screens I have seen to date it has 960,000 pixels vs. the 1D’s 230,000. Oh, and there is the small price difference of about $5000. Now for the real meat…..

In terms of color accuracy they are both on par and the differences are subtle. In terms of white balance The 5D MII is really neutral/white almost to a fault for shooting portraits. But when you take it into Lightroom or ACR you are starting from a good white point. I find that the colors pop a touch more on the 5D MII.

Focusing speed will be determined in part by the lens you choose. I am not sure how much the actual camera has to do with it. At least with these two bodies. In low light it’s hit or miss. With an 85mm 1.2 it’s slow slow slow. With a 35mm 1.4 it’s fast fast fast. The 1D has a few more focusing points and they have a wider spread so on paper it would appear to focus faster. However, I only activate the center focus point when I shoot so for me at least, they are equal. I use the center point only, focus, and then recompose. That way I ensure the eyes are in focus and everything else can suffer ;-)

High ISO is about the same in terms of noise produced although I feel that the 5D does a better job. It has the updated Digic4 processor which could be the reason why. The 1D only goes to 3200 while the 5D MII can go up to 25,000. However, I wouldn’t push either camera past 3200.

Here is a great review of the two by Phil. Click Here.

On the subject of video:

I tried shooting video but didn’t love the results I was getting. After seeing some people shoot recently I started to realize why. The first and most important thing is a Zacuto Z-Finder. The second is a pair of Redrock rings for focusing. Without these two items it will be very hard to make a good video unless you use a tripod and really plan out your shots. Now they are insanely expensive and then you have the whole post-production issue on top of that. I will keep an eye on the technology and learn slowly but the days of realistic video with a DSLR without a large budget are a few years off.

We welcome questions of all levels and would love to help out in any way we can. Email us at blog@photozen.net with Q&A as the subject line.

Spider Holster

Monday, February 22nd, 2010

I have been playing around with a new camera holster, called the Spider Holster and love it so much I wanted to share. I have thought about this idea for years using a traditional tripod plate. Glad I didn’t go down that road since I can see how many problems I would have had that Spider holster had to overcome. Check out the video below to see it in action. The two main draw backs that it has are easily fixable and one is already in the works. It is a bit heavy but I suspect the next iteration will have a lot more machining and probably use a lighter weight aluminum like 6061 or some other product from Alcoa. The other issue is that it doesn’t attach to my  Think Tank belt but they are releasing a fix for that shortly.

I use the Luma Loop on side which attaches to my 70-200mm and then a wide angle lens on the holster. The clip can be used with my normal belt or the supplied belt from Spider. My ability to be ready for  a shot is much faster. It can mean the difference between a good shot and a great shot!

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Canon EOS 7D Review

Sunday, February 21st, 2010

Wired just posted their take on the new 7D. Check it here…

Revolutionary New Camera Strap!

Sunday, February 14th, 2010

It is very rare when a product that has been in production for as long as the ubiquitous camera strap is radically changed. In the past year or so 4 new companies have popped up with similar concepts but most fell short until now! Luma Labs out of Portland, Oregon has recently released the Luma Loop which solves a host of problems.

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For me at least, the biggest problem is proper weight distribution with out camera slippage. I can usually be found shooting with two bodies. One with a 35mm 1.4 and one with an 85mm 1.2. I switch often and need fast access to a specific camera. The Luma Loop allows me to quickly grab the camera from the grip and slide it up to my eye. The strap does not get in my way.

Additional Features:

It is equipped with a lanyard and buckle to quickly detach your camera and snap on another one. It can attach to any strap mount on your camera or tripod plate It is rated to 250lbs!Watch the video test here.

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When not in use the camera swings around to the small of your back so it’s out of your way and the weight is distributed very well. You can quickly and easily control where you want the camera to rest. Some people like myself like the camera low near my waist. Some like it high. It doesn’t matter, it is very easy to get it where you want it.

It has an ergonomically curved pad made out of non-slip silicon.

And lastly, you don’t need an engineering degree to figure out how to put the strap on your camera like you do with all the other stock straps.

There is one other model I have found that I like however it is a little unprofessional looking for shooting weddings. I would definitely use it for anything else! From engagements and kids portraits to travel and journalism.

You can check out the Black Rapid Double Strap here: