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Hello Dolly! #6, by Giovanni Presutti

Hello Dolly! #6, by Giovanni Presutti

Giovanni Presutti

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Every piece is made to order, and is printed only by carefully selected labs on museum-grade archival papers that will stand the test of time. Please reach out with any questions, we're here to help!

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The overbuilding of the territory is consuming an increasing share of agricultural area. Our suburbs are now clones of the city where shopping malls, multiplexes, industrial buildings, parking lots and social housing follow each other eroding the living space from which we derive our sustenance. In the near future Dolly, a doll of human size only survivor, wanders into a scene of degradation that has reduced the Earth to a pile of empty buildings and abandoned. The protagonist has a metaphysical significance inspired by anthropomorphic dummies of De Chirico. It 's an empty form, a container of images, memories and feelings vaguely human without a soul, it’s the projection of man's intellectual. Its plastic forms anonymous make it even stronger sense of loss of humanity, becoming a symbol of an era of consumerism and empty. Suggestions films and literature at the base of each image, which features the recall to the colors of the paintings of Edward Hopper and Philip K. Dick's sci-fi settings and theme that has inspired. The symbols in the consumption of our age, stripped of their function, become a totem worshiped by only a doll, no soul or intellect, showing a glimpse of the future towards which we are inexorably going.

Giovanni Presutti

Giovanni, born on March 30, 1965, is a native of Florence, Italy, where he continues to reside and create. Graduating from the Photography School of Art in Florence in 1998, Giovanni's artistic journey took flight with the project "Reflexions" in Paris from 2003 to 2005, a collaborative endeavor under the mentorship of Giorgia Fiorio and Gabriel Bauret. Since then, Giovanni has cultivated a prolific exhibition history both in Italy and abroad, showcasing his work in public and private museums, galleries, and cultural institutions across major cities worldwide, including New York, London, Paris, Los Angeles, Saint Petersburg, Moscow, Tel Aviv, and more. His contributions have been featured prominently in prestigious events such as the Biennale di Venezia 2011 and Rencontres Des Arles 2012. Throughout his career, Giovanni has been the recipient of numerous awards and accolades, including first prizes in "A Better World" (2008) and "Portfolio Ariosto" (2007), among others. His work has been published in renowned magazines such as China Life Magazine, Vanity Fair, Espresso, and Sette Magazine. Giovanni's artistic legacy extends beyond exhibitions and awards, with several published works to his name, including "Mirror" (2008), "Eolo" (2013), "Contemporanea" (2015), and "The Era of Beyond Truth" (2018). He is also a valued member of the Synap(see) collective, further solidifying his impact on the contemporary photography scene.