"No Frame": If you'll be framing this piece on your own, choose this option, and we'll include a 1" white border around the print to make the job easier.
"Frame - Mat": This includes a 2" mat, and the finished piece will be about 6" wider and 6" taller than the image size.
"Frame - No Mat": With this option, the image takes up the entire space within the frame, and the finished piece will be about 2" wider and 2" taller than the image size.
All of our framing is built to order in the US by hand, so expect some slight variation in the above dimensions.
Don't see exactly what you're looking for? Ask us about custom sizes, framing options, or specialty paper types.
For much of my adult life, I have been lucky enough to get paid doing the things I love most. My work as a itinerant travel and wildlife photographer has sent me around the world and across all seven continents.
Over the last two decades, I have had ample opportunity to appreciate the absurdities of life on the road, having once spent 27 memorable hours during my first trip to Kenya digging a bogged safari truck out using only a sauce pan. In addition to my work in Africa, I have traveled extensively in Alaska, Australia, Antarctica and Asia.
What inspires you?
I try to see one new thing every day. The world is an enormously varied, infuriating and beautiful place, and I'm regularly delighted by a job that lets me see and visit so much of it. I also enjoy the physical and technical challenges of getting to some of the wilderness places I've visited. I like traveling solo, and if that means lugging an inflatable Zodiac boat and 250 pounds of camping gear halfway around the planet, all the better. There's something deeply satisfying about learning an entirely new set of skills, whether it's scuba diving, boat driving or African safari guiding, and putting them to work to produce new images.
Where have you been published?
Nearly all of my work is bound for the stock archives at Corbis and Getty Images. From there, the work is published all over the world. I've appeared in National Geographic and probably most of the other magazines on the newsstand display shelf at one point or another, though I rarely get to see them. My pictures have been used for everything from Mexican condom ads to a Swedish watch billboard. I was driving through the capitol of Mozambique and saw one of my lion shots on a DHL billboard and had to pull over in traffic to take a snapshot. I just returned from Iceland where one of my humpback whale shots (from Hawaii) is on a whale watching tour brochure all over Reykjavik.
What was your scariest shooting moment?
I've done so many stupid things over my career that it's hard to keep track. During my brief foray into international news coverage, I got shot at (and missed) in Port-au-Prince, Haiti during election violence there. I was once woken from a sound sleep in Kenya by a pride of lions pawing at my tent, and I have spent 27 memorable hours trying to dig my safari truck out of a swamp using only a sauce pan. On my last trip to Greenland, I slipped while photographing spawning shoals of capelin from some shore rocks, and found myself chest deep in ice water. I shredded my fingers trying to claw my way back out of the ocean before I froze. The time I got my boat stuck in the ice in front of a glacier was good for a laugh, especially when I started hoping between ice floes trying to drag the thing out by hand. Getting chased around in the water and head-butted by whales in Patagonia was diverting, too.
There are a lot of stories I don't tell my mom.
Added by PurePhoto: I just wanted to add a note to all the people who are showing the love for Paul's work. He travel close to 300 days a year and often without any communication to the outside world. He does check in and see what's going on so don't hesitate to write...just don't expect immediate answers from him as he is usually floating on a zodiac in the middle of the arctic circle...